Periwinkle, toned silver gelatin print – Florence Small
I often create work that draws from my imagination and emotional connection to my surroundings. As a child, my aunt taught me how to whistle with an empty periwinkle. The sound of the periwinkle continues to reference my connection with Oak Bay, NB. In Call to the Ocean, I bring a personal narrative to the landscape of Fundy National Park. Through an audio recording of the periwinkle whistle and photographs of the experience, I intended to capture the vastness of the Bay of Fundy from the beach in Alma and the endless maze of trees on the East Branch trail.
- Cours et projets
- Evan Furness | Hard Times in the Mill
- Kathryn Hallett | Flora of the Upper Salmon River Trail
- Savannah Harris | Lingering Winter
- Hailey Guzik | Indicators of Tread
- Meagan Chaput | The Salmon Donation Project
- Lucy Koshan | All I Need Fundy To Know About Me: A k.d. lang Tribute
- Logan Milne | It Left a Mark: Walking Wool, Salt and Sand
- Nelligan Letourneau | A View From
- Brenna MacMillan | Tides
- Artiste correspondante
Periwinkle, toned silver gelatin print – Florence Small
I often create work that draws from my imagination and emotional connection to my surroundings. As a child, my aunt taught me how to whistle with an empty periwinkle. The sound of the periwinkle continues to reference my connection with Oak Bay, NB. In Call to the Ocean, I bring a personal narrative to the landscape of Fundy National Park. Through an audio recording of the periwinkle whistle and photographs of the experience, I intended to capture the vastness of the Bay of Fundy from the beach in Alma and the endless maze of trees on the East Branch trail.